- #ALLEN HEATH ZED 10FX PHANTOM POWER INSTALL#
- #ALLEN HEATH ZED 10FX PHANTOM POWER DRIVERS#
- #ALLEN HEATH ZED 10FX PHANTOM POWER DRIVER#
- #ALLEN HEATH ZED 10FX PHANTOM POWER PORTABLE#
A record output is provided on phonos, which is fed pre- the master fader but post- the master insert points.
#ALLEN HEATH ZED 10FX PHANTOM POWER DRIVER#
The interface itself is fixed at 16-bit, and operates at sample rates of 32kHz, 44.1kHz and 48kHz, as determined by the host software and driver settings. This means that (latency permitting) you are free, should you wish, to send signals via the USB link to computer-based effects, such as reverb or delay, for use with the mixer's effects sends and returns. Most small mixers with inbuilt USB interfaces simply send the main mix out over the USB link (which in this case is USB 1.1, but is USB 2-compatible), but here, you get the choice of feeding the main output pre- or post-fader, or sourcing from Aux 1/2 or Aux 3/4. There's a copy of Cakewalk's Sonar LE DAW software included, which will get PC users off to a flying start (Mac users don't have this option, but can use Garage Band, which now comes free with all new Macs).
#ALLEN HEATH ZED 10FX PHANTOM POWER DRIVERS#
The standard USB drivers worked fine for me, but it should also be possible to use third-party offerings such as the Asio4All drivers if you prefer.
#ALLEN HEATH ZED 10FX PHANTOM POWER INSTALL#
Being a class-compliant device, the USB interface can be used with any modern Mac or PC computer, without any need to install drivers. The intention seems to be to provide a good mixer and interface with which you can get up and running quickly. But there are actually more inputs than this: two stereo inputs on phonos to accommodate a two-track return and a general stereo effects return, and a further stereo input, fed from the onboard two-in, two-out USB audio interface. Six mono mic/line channels, and a further four stereo, line-only channels, provide the 14 main inputs that give the ZED14 the second part of its name. Design & Constructionĭesigned in the UK, but built in China to keep the cost down, the ZED14 is a compact mixer that uses the same quality of circuitry and components as the company's larger live-sound consoles, and is intended for both live-sound applications and basic recording work. Though Allen & Heath have a good pedigree in the manufacture of mixing consoles, the ZED14 is their first small mixer to come at a truly budget price, so I was keen to find out how it compared with their longer-established designs. In fact, at the time of writing, there isn't even a mention of it on the Allen & Heath web site. Photo: Mike CameronThe Allen & Heath ZED14 USB Mixer is new and, until recently, has been something of a secret. Most important of all, ZED60-14FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years.We find out if the most competitively priced Allen & Heath mixer yet lives up to its heritage. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. ZED60-14FX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. Two stereo inputs are provided for MP3/CD players or keyboards. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes.
#ALLEN HEATH ZED 10FX PHANTOM POWER PORTABLE#
Live or in the studio, ZED60-14FX is a compact, portable mixer that is ideal for small bands.
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